Harper Theatrical

Keeping A Production Organized

You've designed a variety of makeup looks. You've planned hairstyles and styled wigs. You've gathered loads of reference photos, and you've made sure you have all your supplies. Now, it's time for the show!

An example chart setup hung off a shelf.

Theatrical productions are often quite hectic. There are so many components to productions that it can feel overwhelming trying to start dress rehearsals and live performances. Thankfully, there are ways to help mitigate some of the struggles. First and foremost, make sure that you've talked to the performers about their hair and makeup looks. They should understand what to do, what to expect, and who to talk to about any questions they may have. Make sure they have reference images, and give them a brief introduction to stage makeup and wig preps (or direct them to a helpful resource like this site!) if they are new to stage makeup and/or wigs. Take the time to give performers and crew members the tools to succeed; it will save time and energy in the long run.

Additionally, organize your setup! Establish where communal makeup will go. Determine if there will be separate areas where crew members will apply wigs or makeup for performers that need assistance. In whatever area you choose as your space, try to hang a number of items up for easy access. We recommend reference photos for leads and ensemble cast members, a table of the production with all character changes (especially changes in which hair and makeup looks may be altered), and a Running Chart!

What is a Running Chart?

Running Charts are used by hair and makeup crew members to make sure that the crew stays organized throughout the show. These charts are particularly important for productions with multiple wig or makeup changes. We recommend creating a running chart that details the following:

By including the above details, you can create a running chart that is clear and detailed. The value of having one of these charts is that they A) help keep crew members on track with hair and makeup changes and B) they help crew members step in with ease in the event of medical emergencies or absences. Consider the sample example Running Chart below, or download an example Running Chart here. If Toby missed a production because of a medical emergency, Hallie, Maria, Ella, and Emmie would know which tasks Toby performs and where he performs them. This will keep the production moving smoothly during his absence.

Helpful hint: have crew members use a yellow highlighter to highlight the rows with their production tasks. When the crew member is backstage, the highlighter will glow under the blacklights, making the text easy to read!

Footloose Example Running Chart
Preshow
Actor Character Makeup Eyeshadow Color Foundation Hair Notes Location Crew
Adam Smith Ren McCormack Natural Base N/A Olive Medium Slicked Extra Powder Boys Dressing Room Hallie
Matt David Willard Hewitt Natural Base N/A Olive Medium Curled Boys Dressing Room Hallie
Danny Joe Shaw Moore Natural Base N/A Fair Light Combed Down Slight Age Makeup Room Toby
Annie Jackson Ariel Moore Natural Base Reds Fair Light Loose Curls Help with Lashes Girls Dressing Room Maria
Tina Smith Teen Natural Base Yellows Olive Deep Teased Lip Gloss Girls Dressing Room Maria
Emma James Ethel McCormack Age Base Browns Fair Tan Wig #3 Pincurls Makeup Room Toby/Ella
Hanna Todd Vi Moore Aged Base Browns Olive Medium Twist Bun Girls Dressing Room
Bobby Tanner Chuck Cranston Natural Base N/A Fair Medium Ruffled Extra Hairspray Makeup Room
Tammy Jones Adult Natural Base Browns Fair Tan Front Curls Cover Tattoo Girls Dressing Room Emmie
Emily Mission Teen Natural Base Pink Olive Deep Loose Curls Light Hairspray Makeup Room Ella
Drake Prince Adult Natural Base N/A Olive Deep No Change Spray Face Makeup Room Toby
Act 1
Scene 1: The City of Chicago/The Town of Bomont, in Church
Footloose/On Any Sunday
Scene 1B: In Church
Scene 2: The Churchyard
The Girl Gets Around
Scene 3: Behind a Gas Station
After "Girl"
Scene 4: A High School Hallway
I Can't Stand Still
Actor Character Makeup Hair Exit Time Location Enter Crew
Emily Mission Betty Blast Add Pink Lip Add Wig #6 Stage Right 15 min Green Room Stage Right Ella/Toby
Annie Jackson Ariel Moore No Change Pin on Hat Stage Left 30 sec Stage Left Stage Left Hallie
Somebody's Eyes
Scene 5: The Moore Home
Learning to be Silent
Scene 6: The Burger Blast
Holding Out for a Hero
Actor Character Makeup Hair Exit Time Location Enter Crew
Emily Mission Teen Remove Pink Lip Remove Wig #6 Stage Left 5 min Green Room Stage Right Ella/Toby
Annie Jackson Ariel Moore No Change Remove Hat Stage Left 30 sec Stage Left Stage Left Hallie/Emmie
Scene 8: The Moore Home
Scene 9: The High School Gym
I'm Free/Heaven Help Me
Intermission
Actor Character Makeup Hair Exit Time Location Enter Crew
Annie Jackson Ariel Moore No Change Pin Hat 15 min Green Room Hallie
Bobby Tanner Teen Add Mustache No Change 15 min Makeup Room Maria
Tina Smith Still Rockin' Trio Gold Eyeshadow Pin Bangs 15 min Green Room Ella
Drake Prince Still Rockin' Trio Gold Face Powder No Change 15 min Green Room Emmie
Emily Mission Still Rockin' Trio Gold Eyeshadow Tease Hair 15 min Green Room Toby

How to Make A Running Chart

  1. Begin making a running chart by creating an outline of all acts, scenes, and songs throughout the production. Also include lines for pre-show, post-show, and intermission. Outlines can be made with Excel or Google Sheets.
  2. Next, determine the necessary information for your crew members. We recommend each task lists the performer's name, character they will be turning into, hair and/or makeup alterations, entrances, exits, general change time, change location, and crew member(s) that will help with the change. However, these components can be altered as desired for whatever the production requires.
  3. List the criteria for the change under each heading on the chart. Each scene and song should have an empty list of items underneath it.
  4. Once your chart outline has been completed, begin filling it out. If a wig needs changed, a hat needs pinned, a mustache needs glued, or makeup needs altered, put it on the chart in the location the change occurs during the production. For instance, if a performer is the character "Bob" in Scene A but becomes "Dan" in Scene B, we recommend putting the change under the Scene A line. This shows the change occurs after Scene A but before Scene B.
  5. Ensure that all changes have been accounted for and all the information has been filled out as accurately as possible. If you are not sure where changes will occur or how much time it will take, feel free to leave the area blank and either write-in or reprint the chart once the plan is established through rehearsals.
  6. Delete any unnecessary headings that remain. If you have lists of criteria (such as "Name", "Performer", etc.) that do not have any makeup or hair changes below them, delete the blank lines.
  7. Format your Running Chart as desired. We recommend centering the chart's contents and highlighting the acts, scenes, and songs with different grey colors and font styles. We also recommend you leave the filled out hair and makeup changes section without printer highlights. Use a manual highligher after printing for ease-of-reading.
  8. Print your Running Chart. We recommend choosing settings that will fit the rows and columns to the page vertically. Large versions of the Running Chart can also be printed and hung by using horizontal, rather than vertical, pages.
  9. Finally, be prepared to come back and make alterations to the Running Chart throughout dress rehearsals. These alterations may be done with pen or by editing and reprinting the Running Chart. When doing either option, ensure that all members of the Running Crew know what edits have been made or are given fresh copies.
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